Claude Monet Art Beach in Pourville Are Chemical Bonds in Water Ionic

1882

Claude Monet
French, 1840-1926

In Feb 1882, Claude Monet went to Normandy to paint, one of many such expeditions that he made in the 1880s. This was too a retreat from personal and professional pressures. His wife, Camille, had died three years before, and Monet had entered into a domestic arrangement with Alice Hoschedé (whom he would marry in 1892, after her husband'due south death). France was in the midst of a lengthy economic recession that affected Monet's sales. In addition, the creative person was unenthusiastic about the upcoming seventh Impressionist exhibition—divisions within the group had go pronounced by this time—and he delegated the responsibility for his contribution to his dealer, Paul Durand-Ruel.Disappointed in the area around the harbor urban center of Dieppe, which he found too urban, Monet settled in Pourville and remained in this fishing village until mid-Apr. He became increasingly enamored of his surroundings, writing to Hoschedé and her children: "How cute the countryside is condign, and what joy information technology would be for me to show you all its delightful nooks and crannies!" He was able to do and then in June, when they joined him in Pourville.The ii young women strolling in Cliff Walk at Pourville are probably Marthe and Blanche, the eldest Hoschedé daughters. In this work, Monet addressed the problem of inserting figures into a mural without disrupting the unity of its painterly surface. He integrated these elements with one another through texture and color. The grass—composed of curt, brisk, curved brushstrokes—appears to quiver in the cakewalk, and subtly modified versions of the same strokes and hues suggest the women'southward wind-whipped dresses and shawls and the undulation of the sea. Ten-radiographs show that Monet reduced the rocky outcropping at the far right to balance the proportions of ocean and sky.

Status: On View, Gallery 240
Department: Painting and Sculpture of Europe

Artist: Claude Monet
Title: Cliff Walk at Pourville
Origin: France
Appointment: 1882
Medium: Oil on canvass
Inscriptions: Inscribed, lower right: Claude Monet 82
Dimensions: 66.5 × 82.three cm (26 i/8 × 32 7/16 in.)
Credit Line: Mr. and Mrs. Lewis Larned Coburn Memorial Collection
Reference Number: 1933.443
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open up standards that enables rich access to digital media from libraries, athenaeum, museums, and other cultural institutions effectually the world. Larn more than.: https://api.artic.edu/api/v1/artworks/14620/manifest.json

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Eric M. Zafran, "Monet in America," in Wildenstein and Co., Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff, exh. cat. (Wildenstein, 2007), p. 127.
Caroline Durand-Ruel Godfroy, "Paul Durand-Ruel and Renoir: 47 Years of Friendship," in Sounjou Seo et al., Renoir: Promise of Happiness, exh. cat. (Seoul Museum of Art, 2009), pp. 163 (ill.), 165 (sick.).
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Ségolène Le Men, Monet (Citadelles & Mazenod, 2010), pp. 226–27, ill. 184; 229; 235.
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Stephen Shore, "Form and Force per unit area," Discontinuity 205 (Wintertime 2001), p. 46 (ill.), 47.
Claire Maingon, "Le néo-impressionnisme: Reflet ou anti-reflet de fifty'impressionnisme?," in Réunion des Musées Nationaux, Eblouissants reflets: Cent chefs-d'oeuvre impressionnistes (Réunion des Musées Nationaux/Musées de la Ville de Rouen, 2013), pp. 59, fig. 38; lx.
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Paris, Galeries Durand-Ruel, Exposition des oeuvres de Claude Monet, Mar. ane–25, 1883, cat. 20, as Promenade sur la Falaise. Appartenant à Thou. Hayes.
London, Dowdeswell and Dowdeswell, Paintings, Drawings and Pastels past Members of "La Société des Impressionnistes," Apr.–July 1883, cat. 32, as Promenade sur la falaise.
Possibly Weimar, Permanenten Ausstellung für Kunst und Kunstgewerbe, c. June 1–c. Dec. 12, 1890, as Strand von Pourville.
Brussels, Libre Esthétique, Exposition des peintres Impressionnistes, Feb. 25–Mar. 29, 1904, cat. 109, as Falaises de Dieppe. Appartient à One thousand. Durand-Ruel.
London, Grafton Galleries, Pictures by Boudin, Cézanne, Degas, Manet, Monet, Morisot, Pissarro, Renoir, Sisley Exhibited by Messrs. Durand-Ruel & Sons, of Paris, at the Grafton Galleries, 8 Grafton Street, London, Jan.–Feb. 1905, cat. 157, as The Walk on the Cliffs. 1882.
Manchester Urban center Art Gallery, Exhibition of Mod French Paintings, Winter 1907–08, cat. 78, equally The Cliffs, Pourville (1882).
Paris, Durand-Ruel, Exposition de paysages par Claude Monet et Renoir, May 18–June six, 1908, cat. 33, as Promenade sur la falaise—1882.
Paris, Galeries Durand-Ruel, Tableaux par Claude Monet, Mar. 2–28, 1914, cat. 30, as Promenade sur la falaise. 1882.
Art Plant of Chicago, Exhibition of the Mrs. L. L. Coburn Drove: Modern Paintings and Watercolors, Apr. 6–Oct. ix, 1932, cat. 22 (ill.).
Fine art Constitute of Chicago, "A Century of Progress": Loan Exhibition of Paintings and Sculpture, May 23–Nov. i, 1933, cat. 295.
Art Plant of Chicago, "A Century of Progress": Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 214.
Fine art Plant of Chicago, The Paintings of Claude Monet, April. 1–June 15, 1957, no cat.
Art Institute of Chicago, Paintings by Monet, Mar. 15–May 11, 1975, true cat. 55 (sick.).
Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June 27–Aug. 31, 1980, cat. 12 (ill.).
Los Angeles County Museum of Fine art, A Solar day in the Country: Impressionism and the French Landscape, June 28–Sept. xvi, 1984, true cat. 117 (ill.); Fine art Found of Chicago, Oct. 23, 1984–Jan. half-dozen, 1985; Paris, Galeries Nationales d'Exposition du M Palais, as L'impressionnisme et le paysage français, Feb. four–Apr. 22, 1985.
Canberra, National Gallery of Australia, Monet and Japan, Mar. nine–June 11, 2001, true cat. 13 (ill.); Perth, Art Gallery of Western Australia, July vii–Sept. 16, 2001.
Tokyo, Seiji Togo Memorial Yasuda Kasai Museum of Fine art, loan exchange, Oct. 12, 2001–June 12, 2002.
Edinburgh, Imperial Scottish Academy, Monet: The Seine and the Body of water, 1878–1883, Aug. half-dozen–October. 26, 2003, cat. 65 (sick.).
Art Institute of Chicago, Seurat and the Making of "La Grande Jatte," June nineteen–Sept. xix, 2004, true cat. 96 (ill.).
Fine Arts Museums of San Francisco, Monet in Normandy, June 17–Sept. 17, 2006, true cat. 30 (ill.); Raleigh, North Carolina Museum of Art, Oct. fifteen, 2006–Jan. 14, 2007; Cleveland Museum of Art, February. 18–May 20, 2007.
Paris, Galeries Nationales du Grand Palais, Claude Monet, 1840–1926, Sept. 22, 2010–January. 24, 2011, cat. 62 (ill.).
Treviso, Museo di Santa Caterina, Storie dell'Impressionismo, October 29, 2016-April 17, 2017, cat. 125.
Art Plant of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 29.

Hayes, by Mar. 1, 1883 [per Galeries Durand-Ruel 1883]. Hermann Kapferer, Paris, by July 17, 1888 [per Durand-Ruel, Paris, stock volume for 1888 (no. 1687), equally confirmed past Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. v, 2010, curatorial object file. Wildenstein 1996 does not include Hermann Kapferer in the painting's provenance and claims that Durand-Ruel purchased the painting from Monet in October 1882; the Durand-Ruel Archives are unable to back up this claim]; sold to Durand-Ruel, Paris, July 17, 1888, for i,200 francs [per Durand-Ruel, Paris, stock volume for 1888 (no. 1687), every bit confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Fine art Found of Chicago, Oct. 5, 2010, curatorial object file. Wildenstein 1996) does not include this in the provenance]; peradventure sold to Annie Swan Coburn (d. 1932), Chicago, past Apr. 26, 1928 [per Art Institute of Chicago exh. cat. 1932. In that location is a note on the Art Plant'southward Museum Registration Department Artists Sheets that reads, "Durand-Ruel 995 4/26/28," and one on receipt 5300 that states "P995 D-R Ap '26." This sale cannot exist confirmed with the Durand-Ruel Athenaeum, Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Fine art Constitute of Chicago, October. v, 2010, curatorial object file]; ancestral to the Fine art Plant of Chicago, 1933.

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